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How was the concept of the work of artists changing in the former commonwealth?



Exhibition Art at work – At the crossroads between utopia and (in)dependence at MSUM

The Metelkova Museum of Contemporary Art hosts the exhibition Art at Work – At the crossroads between utopia and (in)dependence, which provides an insight into three different segments of the genealogy of the concept of work in the area of ​​the former Yugoslavia.

Through the exhibition, the conception of the concept of the work of avant-garde artists in the 60s, 70s and 80s of the last century, the change in the concept of the work of artists and their spaces in the 90s, and contemporary political artistic practices are presented.

From creative to production timeDuring the transition from socialism to capitalism in the area of ​​the former Yugoslavia – that is, in the early 90s of the last century – the concept of the work of artists began to change significantly, along with the concept of art spaces. Moreover, in the post-socialist world, the production time of artists has also changed. While during socialism artists spoke of laziness and time “in idleness” as creative time, it has now been replaced by the production time of project submission deadlines, the Metelkov Museum of Contemporary Art (MSUM) wrote at the exhibition.

Pragmatism and flexibility of work come to the foreIn the same decade, the former utopianism of art collectives was replaced by the pragmatism and flexibility of the work of non-governmental organizations, mainly dependent on public funds. Artists became producers, and the survival of artists and cultural workers became dependent on the duration of individual projects, so they joined the ever-growing army of precarious workers. Although working conditions were not much better under socialism, artists at least had all their time at their disposal, they pointed out at the exhibition.

Nebojša Šerić Šoba, Tragedy, 1999, photograph.  Photo: Modern Gallery

The increasing instability of the work of artistsDue to the increasingly difficult conditions in the world (from the pandemic, extreme policies, wars, economic crisis), the instability of the work of artists is further increasing, thereby also increasing the need for more intensive horizontal integration and for a reconsideration of the heritage of the avant-garde.

More than 50 artists, art collectives and associations from the area of ​​the former Yugoslavia participate in the exhibition. Many works are from the collections of the Modern Gallery, especially from the international Arteast 2000+ collection. They are the curators of the exhibition Zdenka Badovinac, Ana Mizerit, Bojana Piškur and Igor Spanjol. They are curators of special exhibition projects Sezgin Boynik and Jelena Vesićextensive research and mapping of independent spaces in the 1990s in the area of ​​the former Yugoslavia was carried out by the curator Teja Merhar.

The history of the once predominantly male art collectivesThe exhibition at the MSUM also highlights the history of art collectives, which in the past consisted mainly of men, as women organized and articulated their work differently. The installation presents projects of the last 20 years that deal with the concept of work in the manner of political platforms and thus directly influence cultural policies in individual countries.

This part of the installation is also related to local traditions of cooperation between institutions, non-governmental organizations and individual artists in the field of work, all of which is thematically extended to the struggles for workers’ rights in culture, which coincide with the struggle for the rights of domestic workers and workers, carers and migrant workers.

The exhibition is open until January 29, 2023.

Works by Igor Grubić.  Photo: MSUM

Source: Rtvslo

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